Angel of city

 과거 인터뷰 준비 9번째

[* 인터뷰 연습용 핵심 대본 Q1–Q11]

Q1. Have you ever visited the * Gallery in Tokyo?

Not yet, unfortunately.

I have visited the Seoul branch, though —

the space left a strong impression on me.

I would love to visit the Tokyo gallery someday if I get the chance.

Q2. What was your impression of the Seoul branch?

It was very calm and focused.

The atmosphere had a strong sense of stillness —

and yet the presence of each work felt amplified.

It aligned really well with the themes I explore in my own work.

Q3. Do you speak Japanese?

Yes, I can speak some Japanese.

It is not perfect yet, but I have been studying for about a year

and I have been learning regularly —

especially to better connect with Japanese art and culture.

Q4. Have you been to Japan recently?

Yes, I visited Sendai three times.

It was personally meaningful —

I visited many shrines(쉬라인) and

reflected on animism and local belief systems.

It gave me inspiration for my recent works.

본격 인터뷰 예상 질문

Q1. Why did you apply to * Gallery?

I saw an interview with Director *.

He said, “Art should not be difficult — it should be enjoyed like a melody.”

That deeply resonated with me.

I believe Whitestone truly values artistic identity without borders.

That is why I applied.

Q2. Can you briefly introduce yourself as an artist?

I am an artist who explores love, vitality, and rebirth

through a bodily persona in nature.

I have held 7 solo exhibitions,

and participated in group shows across Europe and Asia.

I have also received 12 international awards,

including the Luxembourg Art Prize,

the NordArt selection in Germany,

and the Marie Marzloff Award in Italy.

In 2023, I was selected for a national government art bank project in Korea,

and my works were officially acquired for the government collection.

My work connects the body with nature — visually and emotionally.

Q3. What are the strengths of your work?

My paintings use delicate, layered techniques

that evoke both visual and tactile sensations.

I create immersive spaces —

like places where the wind can rest.

Through that stillness,

I express nature’s strength,

and its quiet ability to hold and heal.

Q4. Why do you paint nature?

Nature saved me, when I was close to disappearing.

It brought me back to life.

Painting nature feels inevitable.

It is not just a subject — It is how I breathe.

I want to share that quiet comfort.

To say:

“It is okay.

Even if you are swept away,

as long as you’re alive, it’s enough.”

Q5. What themes do you express in your work?

I express love, hope, fragility, and rebirth.

My work often speaks about being human in nature,

and nature within us.

I express the tension between pain and healing.

Life and death. Stillness and movement.

Regeneration is always possible.

That is the quiet message behind my work.

Q6. What is your favorite or most representative work in this exhibition?

One of the anchor pieces of this series is To whisper,

a medium-to-large oil painting I created in 2024.

It is part of the ongoing adventure of Black Shell and Won.

I believe this piece carries the emotional weight

and direction of the entire body of work.

In To whisper, the two figures lie quietly,

as if they are relearning how to be — like butterfly wings waiting to dry.

There is hesitation, but also gentleness.

They do not move quickly — they just breathe, together.

For me, this work reflects the quiet strength of staying,

and how even a soft, uncertain moment

can become the beginning of something new.

Q7. What kind of exhibition do you hope to hold with us?

I want to create a space, that feels like nature itself —

still, breathing, and always in motion.

I would like to combine painting, installation, video, and gestures

or objects from my performative physical language,

along with artist talks and interactive programs.

The theme is:

“If we truly listen to nature,

we will remember that we too can revive.”

That said, I deeply respect the gallery’s vision

and I am open to exploring different formats together.

I believe that meaningful collaboration

can open unexpected and beautiful directions.

Q8. Why do you want to exhibit in Tokyo?

Tokyo is the most vibrant place in the Asian art scene.

It is full of movement and potential.

I want to build a new narrative here.

Each experience in Tokyo will shape my work

and deepen my personas.

It will be a turning point for me.

Q9. What kind of series / work are you planning next?

I am working on a new series:

The Adventures of Black Shell and Won.

They meet in places,

where natural essence is maximized.

They learn openness and courage,

and explore new journeys together.

Through them,

I am expanding my work into deeper landscapes, emotions,

relationships, and the meaning of existence.

Q10. Do you have any Message for Japanese audience?

This is not just for Japan —

It is for all of us.

We live in a time,

where emotions are hidden behind politeness.

People look fine, but are quietly breaking inside.

Through my work, I want to say:

“It is okay. You are enough. Even now.”

Nature embraces everything as it is.

I hope my work does the same —

offering space to breathe and feel.

Q11. Are you exclusively represented by a gallery?

I am currently connected with Al-Tiba9 Gallery,

and my works are listed on Artsy through them.

The curator, Mohamed, helps with sales and pricing.

But I am not under an exclusive contract.

I also sell my works independently,

especially in Asia or through direct connections.

When that happens,

Mohamed is always supportive —

he simply congratulates me.

I hope we can work together,

I am looking forward for the good news.

* Unison or balance, 117.0x72.5cm, oil on canvas, 2025

Won and Black Shell, guided by the fairy feather, become attuned to finding a balance with their bodies. At first, they use the feather to find their balance, but over time, they rely solely on each other instead. They start in perfect symmetry, mirroring one another, then gradually making subtle adjustments to their poses. As if in a silent conversation, their bodies exchange energy, guiding one another, moving together in a harmonious rhythm, like a breath shared between them.

*Balancing with feathers, 80.3 x 100.0cm, oil on canvas, 2025

Look at this feather. It is enormous- could a big bird be nearby? They tried to pick it up, but the feather was far heavier than they had imagined, making them off balance. Picking it up felt as though a gust of wind pushed back against them with incredible force. Then, an idea sparked in their minds.

“You know what?”

“Huh?”

“If we can handle something this heavy, maybe we can control anything we want!”

“That’s actually pretty plausible.”

“We could become gravity magicians!”

“That sounds interesting. Why don’t we try balancing on this feather?”

I hope we can work together,

I am looking forward for the good news.